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KING GIZZARD AND THE LIZARD WIZARD OFFICAL BOOTLEG FOR CASSETTES FOR ME APRIL RELEASE

I remember seeing the video for the first song you’re about to hear on this tape and thinking: “the EVIL River? How’d they make it evil?”

The answer is with an extra crunchy, extra long Phrygian jam that sounds like some kind of Moroccan nightmare. And that’s really the through-line on most of the material on this cassette– it’s just so spooky.

But not spooky to begin with, for the most part, we’re focusing on songs like the (Evil) River that were modified to have a jam section in an extra freaky mode.

Ice V also gets distinctively spooky in this set as well, while the I’m In Your Mind suite and the Dripping Tap are just heavy enough anyway to be along for the ride.

Keep an eye out for future installments of this series of evil jams from Red Rocks coming soon from Analog Revolution Records and Cassettes for Me.

SIDE A
1. The (Evil) River
2. I’m in Your Mind
3. I’m Not in Your Mind
4. Cellophane
5. I’m inYour Mind Fuzz

Side B
1. Tezata
2. Ice V
3. The Dripping Tap

(This is an offical bootleg release from Analog Revolution in conjunction with Gizzverse.com Bootlegger. We are sending them 30 copies of this cassette to sell here. This is a super neat thing they are doing, so you should check out the website and support all of the other bootlegs. )

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DECATHEXIS FROM SMALL, CASSETTES FOR ME MARCH RELEASE

SMALL is
Samm Severin
Olive Lynch
Trevor Flanders

PERVY PUNK FOR SAD FUCKS

ATL, GA

Decathexis was released October 30, 2022

guitar, vox, lyrics: Samm Severin
bass, cover design: Olive Lynch
drums: Jake Cook
lead guitar: Stephen Wilkins
Recorded at Mirror Mirror Recording by Graham Tavel
Mastered by Jesse Mangum at The Glow
photo: Lola Scott

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Revolting Music from the Public Domain (1914-1928), a Public Domain Day Special from Analog Revolution for February Cassettes for Me!

Why 1923?

From the dawn of music recordings until 2022, not a single musical recording entered the public domain due to copyright expiration in the United States. Musical recordings were protected under a patchwork of state laws and contracts, but explicitly they were not protected by copyright. This meant that most musical recordings were protected forever, and establishing the rights to a piece of music was very difficult.
Congress passed a law called the Music Modernization Act which made this situation slightly better. In 2022 all recordings from 1922 and earlier entered the public domain. In 2023, nothing happened, and in 2024, all recordings released in 1923 entered the public domain.

Importantly, these compositions were already in the public domain, but the specific recordings were not.

Now, why 1923, and not some later year? Fear and greed, mostly. In 1923, we’re looking at the genesis of modern music, but we’re still dealing with very primitive acoustic recording technology and we’re really just looking at the roots of what will become modern music. The first blues guitar, the first jazz piano, vaudeville blues, dixieland. Over the next several years, we’ll get an Explosion of new music.

Next year, we’ll get the music from 1924. In 1924, we find the first widespread use of Electrical recording. It’s a watershed moment. We also get some of the earliest country music, and the first recording of Rhapsody in Blue in 24. By 1925, we’ll start to see more guitar blues, new styles of Jazz, and lots of other things.

But, for now, we have 1923, and there’s a lot to celebrate in the recordings of 1923.


Why 1928?

In 1998 the US Congress passed a law commonly referred to as The Mickey Mouse Protection Act. It paused copyright expiration for 20 years, for basically no reason other than to keep Mickey Mouse from entering the public domain.

This year, Mickey Mouse’s protection expires. As of today, Steamboat Willie is in the public domain.

But, so far at least, we’re not talking about animation, we’re talking about music. Due to the differences between how Recordings and Compositions were copyrighted, all published musical compositions from 1928 and earlier are in the public domain. You can’t do anything with most recordings made from 24 – 28, but you can cover those compositions and produce new recordings.

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Hensleys LIVE from Analog Revolution: Put on a Show to kick off Cassettes for Me in 2024!

Hensleys are a 4-piece rock band based out of Atlanta, GA made up of POUNDS, G, LOG, and SNAKE. Call us punk, call us alternative, call us hyper-jazz rock, call us your friend. We’ll be there for you when you need it.

You can watch Hensleys Analog Revolution: Put on a Show September 23rd, 2023 lofi live stream performance at newellijay.tv

You can find Hensleys at
https://hensleys.bandcamp.com/
https://www.instagram.com/hensleysatl/